Participating Artists
|
Concretion, 2005-2007, paper cut, 70 x 100 cm, courtesy of the artist
Shaul Tzemach
The rich forms and plethora of images in Shaul Tzemach's works produce an allegorical parallel to cosmic principles and to the secrets of the universe - offering a microcosmic parable for the reciprocal relations between various details that come together to form a chaotic, heterogeneous and fragile tapestry. His works reflect a dialogue with mythological, philosophical and metaphysical themes and with scientific theories and multicultural perceptions. The Legend of Species and Phenomena, for instance, features a lacelike pattern of animal images: the central part of the composition contains mammals, reptiles, amphibians and insects; its upper part contains birds, and its lower part includes marine creatures and corals. The work Concretion is composed of intertwined forms and images - a cube, the root of a tree, galaxies and molecular structures - as a metaphor for contemporary reality and for the simultaneous existence of different elements. In a similar manner, the circles that appear in Interference Exercise depict atom particles, molecular connections and a network of nerve cells as they are seen thorugh an electronic microscope. Tzemach's works thus echo a "chaotic consciousness" - a term he uses as a metaphor for the complex and multilayered quality of what he calls "the world's nerve center."
Born in Tel Aviv, 1971; lives and works in Tel Aviv
|